CATHEDRAL OF ST. MATTHEW THE APOSTLE
The first organ of St. Matthew’s was built by Henry Erben. In 1951, M. P. Möller installed a IV/43 organ, located in a chamber behind the Blessed Sacrament chapel. Even with an antiphonal division added in 1974, the location of the instrument proved to be problematic, and confronted with the need for extensive rebuilding, the Cathedral authorities opted for a new, free-standing and encased instrument with mechanical action. The design of the white oak organ case is inspired by the Cathedral’s architecture.
The first phase of the organ’s construction, finished in 1995, featured a complete Récit expressif, an almost complete Grand Orgue (with a Grand Plein Jeu based on two 16ft flues and crowned with eleven ranks of mixtures), and some foundation stops in the pedal, retained from the former instrument. When completed, the organ will have an unusually complete stoplist, French in inspiration, but designed to allow the performance of a vast repertoire.
THE CATHEDRAL OF ST. MATTHEW THE APOSTLE
WASHINGTON, DC
LIVELY-FULCHER PIPE ORGAN BUILDERS
GRAND ORGUE (Manual I)
1. Montre 16' 56
2. Bourdon 16' 61
3. Montre 8' 61
4. Flûte à cheminée 8' 61
5. Flûte harmonique 8' 49
6. Salicional 8' 61
7. Prestant 4' 61
8. Flûte ouverte 4' 61
9. Doublette 2' 61
10. Grosse Fourniture II 122
11. Fourniture V 305
12. Cymbale IV 244
13. Cornet V 145
14. Bombarde 16' 61
15. Trompette 8' 61
16. Clairon 4' 61
i Récit / G.O.
ii Positif / G.O.
iii Bombarde / G.O.
POSITIF EXPRESSIF (Manual II)
17. Violon-basse 16' 61
18. Montre 8' 61
19. Gambe 8' 61
20. Unda Maris 8' 49
21. Bourdon 8' 61
22. Prestant 4' 61
23. Flûte 4' 61
24. Nazard 2 2/3' 61
25. Doublette 2' 61
26. Quarte de nazard 2' 61
27. Tierce 1 3/5' 61
28. Larigot 1 1/3' 61
29. Piccolo 1' 61
30. Fourniture VI 366
31. Basson 16' 61
32. Trompette 8' 61
33. Cromorne 8' 61
34. Clairon 4' 61
i Octaves graves
ii Récit / Positif
iii Bombarde / Positif
iv Tremblant
RÉCIT EXPRESSIF (Manual III)
35. Bourdon 16' 61
36. Diapason 8' 61
37. Viole de gambe 8' 61
38. Voix céleste 8' 61
39. Cor de nuit 8' 61
40. Flûte Traversière 8' 49
41. Prestant 4' 61
42. Flûte octaviante 4' 61
43. Octavin 2' 61
44. Cornet III 183
45. Plein Jeu V 305
46. Bombarde 16' 61
47. Trompette harmonique 8' 61
48. Basson-Hautbois 8' 61
49. Voix humaine 8' 61
50. Clairon harmonique 4' 61
i Octaves graves
ii Tremblant
BOMBARDE (Manual IV)
51. Tuba magna 16' 61
52. Tuba mirabilis 8' 61
53. Cor harmonique 4' 61
54. Grand chœur VI 366
PEDALE
55. Soubasse 32' 32
56. Montre 16' 32
57. Flûte 16' 32
58. Soubasse 16' 12
59. Montre 8' 32
60. Flûte 8' 12
61. Bourdon 8' 32
62. Prestant 4' 32
63. Fourniture IV 128
64. Contre bombarde 32' 32
65. Bombarde 16' 32
66. Basson 16' 32
67. Trompette 8' 32
68. Clairon 4' 32
i Tirasse G.O.
ii Tirasse Récit
iii Tirasse Positif
iv Tirasse Bombarde
Mechanical key action
Optional assisted coupling
The first phase of the organ’s construction, finished in 1995, featured a complete Récit expressif, an almost complete Grand Orgue (with a Grand Plein Jeu based on two 16ft flues and crowned with eleven ranks of mixtures), and some foundation stops in the pedal, retained from the former instrument. When completed, the organ will have an unusually complete stoplist, French in inspiration, but designed to allow the performance of a vast repertoire.
THE CATHEDRAL OF ST. MATTHEW THE APOSTLE
WASHINGTON, DC
LIVELY-FULCHER PIPE ORGAN BUILDERS
GRAND ORGUE (Manual I)
1. Montre 16' 56
2. Bourdon 16' 61
3. Montre 8' 61
4. Flûte à cheminée 8' 61
5. Flûte harmonique 8' 49
6. Salicional 8' 61
7. Prestant 4' 61
8. Flûte ouverte 4' 61
9. Doublette 2' 61
10. Grosse Fourniture II 122
11. Fourniture V 305
12. Cymbale IV 244
13. Cornet V 145
14. Bombarde 16' 61
15. Trompette 8' 61
16. Clairon 4' 61
i Récit / G.O.
ii Positif / G.O.
iii Bombarde / G.O.
POSITIF EXPRESSIF (Manual II)
17. Violon-basse 16' 61
18. Montre 8' 61
19. Gambe 8' 61
20. Unda Maris 8' 49
21. Bourdon 8' 61
22. Prestant 4' 61
23. Flûte 4' 61
24. Nazard 2 2/3' 61
25. Doublette 2' 61
26. Quarte de nazard 2' 61
27. Tierce 1 3/5' 61
28. Larigot 1 1/3' 61
29. Piccolo 1' 61
30. Fourniture VI 366
31. Basson 16' 61
32. Trompette 8' 61
33. Cromorne 8' 61
34. Clairon 4' 61
i Octaves graves
ii Récit / Positif
iii Bombarde / Positif
iv Tremblant
RÉCIT EXPRESSIF (Manual III)
35. Bourdon 16' 61
36. Diapason 8' 61
37. Viole de gambe 8' 61
38. Voix céleste 8' 61
39. Cor de nuit 8' 61
40. Flûte Traversière 8' 49
41. Prestant 4' 61
42. Flûte octaviante 4' 61
43. Octavin 2' 61
44. Cornet III 183
45. Plein Jeu V 305
46. Bombarde 16' 61
47. Trompette harmonique 8' 61
48. Basson-Hautbois 8' 61
49. Voix humaine 8' 61
50. Clairon harmonique 4' 61
i Octaves graves
ii Tremblant
BOMBARDE (Manual IV)
51. Tuba magna 16' 61
52. Tuba mirabilis 8' 61
53. Cor harmonique 4' 61
54. Grand chœur VI 366
PEDALE
55. Soubasse 32' 32
56. Montre 16' 32
57. Flûte 16' 32
58. Soubasse 16' 12
59. Montre 8' 32
60. Flûte 8' 12
61. Bourdon 8' 32
62. Prestant 4' 32
63. Fourniture IV 128
64. Contre bombarde 32' 32
65. Bombarde 16' 32
66. Basson 16' 32
67. Trompette 8' 32
68. Clairon 4' 32
i Tirasse G.O.
ii Tirasse Récit
iii Tirasse Positif
iv Tirasse Bombarde
Mechanical key action
Optional assisted coupling